a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

the efforts of label chief max_mand attic musics own fabrizio lapiana as so far proven to be a potent combination. sharing wax space for the last two releases on m_rec ldts discreet new 10 inch vinyl series, the pair have so far turned in a stirring duplet of some of the finest, fully-formed pieces of modern techno music. now, for the third installment, max_m steps aside to let a brand new outfit take the helm. the mysterious and so far unreleased overall severitynestles comfortably into the a-side with another swollen, undulating melodic arrangement, true to form of what we have seen from the series so far. then on the b-side, fabrizio lapiana offers more of his dark and groovy techno, toned in what has become a signature splash of vintage british-redolent electronica.

none of them make music for the twenty-second century. the duo is constantly deconstructing its stylistic boundaries and follows traditions only to destroy them. on stage, signup (anymouse, big zis, grenzgänger) is the master of ceremony, michal ho (tuning spork, nicetry, etc.) is the selector. vocals glide over beats generated in little boxes full of flashing lights, sometimes smooth, sometimes razor-sharp. the debut album *one of them* will be released on nicetry records and comes on double 12 inch vinyl with download code included.

intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

supermoll 01 the first vinyl release of the young techno label supermoll from cologne. rooted somewhere between a sound of cologne legacy, german experimental kraut attitudes and dirty acid vibes from oversea. jeandado opens with a heart-warming, melancholic synth solo that positions his track clearly in the glorious realms of pop. with striking toms and a burning bassline this piece tells the story of a life. the a side continues with universum, a beautifully leftfield perspective on electronic music. in old memories of a genre called synth pop the universe unfolds in front of your eyes (and ears). ludwig zibell s track sets a landmark for a very special place in köln: the herkulesberg, a so called -trümmerberg- of post-war debris in the center of the city. this special scenery gave the inspiration for his slowly progressing piece of intense deep techno art. -switcheroo- by diom celebrates reduction. hypnotic chimes and subtle changes echo the compositions of musicians like steve reich and other representatives of the minimal music scene. supported by tim sweeney, hans nieswand, tobias thomas, brandt brauer frick, roland m. dill, bryan kessler and many more. mastering: jörg burger cover: ludwig zibell

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continuing the highly collectible coloured series, serge does it again with two more italo-styled electronic house work-outs. the first is an edit of 1979 disco classic >you can get over<. the second, >s averer<, is an original production by serge himself. and both do the damage just nicely thanks. get em while you can!

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the second album from bombers, penned by pat deserio (kebekelektrik / rational youth) and george lagios. more accomplished than its predecessor, the self titled >bombers< lp, 2 takes their sound further and produced their major hit>(everybody) get dancin<. stepping away from danceable boogie instrumentals, and putting more emphasis on upfront vocal dance workouts there are a number of highlights including >lets dance<, >shake< and >pistolero<.

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and the story continues. 2 more dancefloor makeovers of cool rock n roll tracks. includes garbages stupid girl on the b side

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2 mysterious well known uk house producers get busy remixing ms jackson’s classic “when i think of you”. a chunky electro balearic mix in the shape of the vocal dub and a more commercial accessible old school vocal mix. fans of full intention will be pleased with this mix

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check your system for the first release. still have request on it? normal, the first one has been licensed and played by pete tong, laidback luke, joachim garraud, steve angello, and many more. this one will have the same destiny. mixed by cutee b. grab your copy.

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this is the first release of the new french label >work machine<, label of sebastien drums. four huge remix for this amazing track !already supported and playlisted by many djs around the world ! miss u. 4 remixs for this release from benedetto & farina feat akram. the version a1 the remix of thomas gold is absolutely huge, good sensation on the dancefloor,more melodious,this remix ,this remix argues in clubs as a future bomb spray to dancefloor

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following on from the assault of the senses that was cosmic surfin vol. 1, this occasional series returns with two more beardo gems fused with endless summer artwork. two cosmic classics here kicking off with the z.a.c.k.s mind bending mind the cosmic rocker, the highlight from the impossible to find disco cosmix lp. on the flip, another rare as hens teeth disco stomper from stratospheric band cosmic show. again taken from the impossible to track down lp splash... that has cosmic collectors forking out a pretty penny.

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monster electrohouse club ep produced fred pellichero. this is an exclusive ep from royal flush including remixes from sandy vee (joia rec), dim chris and yohanne simon. dirty vocals, hot bass, killer kicks, we have a massive track here that may become this summers hottest ep. playlisted and charted by david guetta, antoine clamaran, sandy vee, cirez d, steve angello, sebastian ingrosso, axwell, mischa daniels, joachim garraud and many more. definitively, a must have.

forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 1/2 years since maya jane coles previous mobilee release, 2011s beat faster, has seen the uk dj/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, maya returns to mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by dogmatik, hypercolour, jackathon jams, 20:20 vision and her own i/am/me label.

public possessions eight offering is a 10 inch ep curated by our good friend samo dj from stockholm. co-running the fantastic born free label with daniel isling aka sling, releasing records on his own and in various different formations on labels such as l.i.e.s., born free, high feelings and more, he seemed to be exactly the right person to tackle the task of putting this record together.

nice price deal !!! flight to the moon is the result of a year-long journey by dutch producers dimi angelis and jeroen search. it is both their first album as a&s and their first full-length record together. like the explorers whose journey is musically documented by flight to the moon, angélis and search set out to discover where this record would lead them. throughout the course of twenty tracks flight to the moon tells the story of a group of spacetravelers. it chronicles their ascent into the vast unknown and their uncovering of things as of yet unrevealed. what will they find? and what will their findings tell them? the tracks on the album – which they will release on their own a&s imprint – are diverse yet homogenous. they meander, transferring a sense of dangerous and potentially deadly encounter at one moment and then capturing a feeling of exciting amazement at another. most crucially, flight to the moon is more than just a collection of techno tracks. in fact, to think of it in cut-out genres is to limit the scope of the album’s musical offerings. search and angélis aimed to shape a record that would defy their own notion of techno. that journey can now be heard by all.

if there is one thing jonas kopp has proven over the last decade is that he can turn his hand to just about anything. since debuting on pfirters revered mindtrip music back in 2006, the buenos aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic musics various forms. from warm chicago house through to deep, dark and driving techno on labels like deeply rooted house, stroboscopic artefacts and more, kopps hypnotic and heady sentiment has remained the red thread throughout, which has allowed him to flourish as one of technos more liberal dance floor purveyors.

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>099< is a phat two track ep of silky electronic dance music !! the main cut is a darling hypnotic track that becomes more addictive each time. the bleeps multiply before making room for the master hit. the mood continues to climb and feet shall stick to floors

ltd 2014 repress !!
deep percussive detroit style house with dreamy piano blue notes on the a-side, while the flip holds a more jacking tune with abstract piano chords

after its initial string of records, spring theory is back with its third release of the year: the record is let me love & steal, the latest ep from avalon emerson. in the past few months, emerson has moved from san francisco to berlin and has taken in her new environment s vibrant club culture, and it shows. but this four-tracker is a far cry from the dark industrial cliches that typify foreign expectations of the german capital. instead, her cuts here carry an undertone of playful sampling that balance out the sheer power and energetic intensity of her rhythmic drive — aka its a full eps worth of hard-hitting house music with even more of her idiosyncratic flair.

cosmic disco ensemble midnight magic find their way on to the ever adaptive soul clap imprint for their next release. -viscous love- is a 5 track ep which see the magic ones explore the more spaced out corners of the disco universe. the ep starts with the funked out, slap-bass heavy, night flight before weaving its way to the more slo-mo pitched down viscous love and pick up , the later showcasing some synth work that parliment would be proud of. trouble t and electic shock finish the ep with aplomb, electric shock being one of the stand outs of the release with its driving italo-disco bass line.

brilliant new balearic house ep from copenhagens music for dreams label. the opening track came to life when two danish djs - mads dalholt and zimino - made their own remixed version of al jawalas *go east* for playing out. mfd label head kenneth bager heard it, loved it, tested it out on his coma club dancefloor and it drove the crowd nuts with people literally screaming for more rewinds of this pumping horn-blasting oriental in-your-face party track. if you are a fan of acid arab and 80s leo mas/afredo style amnesia dancefloor madness then this one is for you. on side b we have the debut track from mads dalholt and partner landers - *zengo* is a sexy uplifting house groover with spacey keyboards, afro vocal hooks and a lively sax. followed by a second landers/dalholt cut, the slower more balearic *aelba* is built around a simple melodic guitar riff with some mellow xylophone bringing a warm sunshine feel. great debut for the young danes.

cryptik = techno diversity! continuing a prolific run this year on figure, veteran german producer johannes heil launches a new alter-ego with >cryptik<. combining his trademark darker techno explorations, with more positive, uplifting melodies, cryptik offers a yet-unseen take on heils sound, always versatile, always breaking the mold.

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

the brand new solo album from legendary producer diamond d (d.i.t.c.) with guest appearances from pete rock, fat joe, talib kweli, pharoahe monch, black rob, rapsody, hi-tek, kurupt, elzhi, skyzoo, tha alkaholiks, camp lo, smif-n-wessun, scram jones, a.g., nottz, and more.

italian producer and classic chicago house student simoncino has long been an analogue master thanks to his eps and lps on labels like mathematics, l.i.e.s. and echovolt and now returns once more to creme organization for four tracks made using a wealth of roland machines.

tsyn vol. one. 2 million subscribers. now the album! the finest in future bass, deep house, future garage, chillwave & more! (2 x unmixed vinyl incl. download)

i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here is the new compilation by jerome derradji with kevin starke, aka the infamous jackmaster hater and owner of kstarke records in chicago. &#8232,,,,it is one of the sickest slice of chicago house music ever released. this compilation features ultra rare and lost chicago classics paired with a nice selection of newer tracks produced by jackmaster hater and his friends, all nicely laid out on a dcd and 2 dlps. the dlps come with a killer poster and the dcd features a booklet about kstarke records and kevin starke and a few more surprises. it includes rare tracks by ron hardy, james -jack rabbit- martin, terrence woodard, traxmen and many more. this is the real sound of chicago.

tempo records is proud to announce & release three brand new tracks by digital. he has been releasing records since the early nineties on labels such as metalheadz, reinforced recordings, timeless recordings, creative source, photek productions, function, and many more. as well as solo releases under various names (such as s.o.s. & natural mystic), he also has recorded with spirit under their monniker: phantom audio.

more anthony rother stuff

takeshi kouzuki is back on macadam mambo trax, he delivers here 3 powerful tracks completely futuristically weird and unusual, mixing acid, jakbeat and techno styles with a funky touch and fantastic vocoder voices. b2 has a balearic touch in more, with its guitar parts. again a great ep, welcome back mr. takeshi!

standard black vinyl - repress 2014
glorious and epic two tracker vinyl for bosconi records, this time by our favourite detroit techno duo the oliverwho factory. we used to be big fans of their madd chaise works and latest rush hour and planet e were awesome, but that percussive sound was different from what we knew from their past. we wanted them to give another chance to their more jacked out musical side in memory of the two masterpieces (and bosconi soundsytem favourite waxes) those were >the rhythm< and >the rain 5th wave<, and so we proudly got another timeless, soulfull, spacey and futuristic techno anthem called >take me away< darryl with his magic hands has created an ultra effective combination of energetic and groovy pumpin kick with a tight funky bassline substaining an upbuilding layers of dreamy synths and stormy noises while the voice of lashone gives that unique colour and atmosphere to the track that all the oliverwho fans love, dictating their original trademark sound. on the flip, takin inspiration from tama sumo panorama bar mix samplin the ow, we got an upbeat version of their slowmotion gem called >together<, that this time, thanks to altered states re touch of darryl and shone has become a proper and fat techno arena bomb, now just for the pleasure of absolutely everybody. you wont miss it, for sure

after the first amc release which gained full support from a cast of music collectors and djs including dom servini, diesler, paris djs, moonboots, craig charles plus many more africa music corporation is back with another single ahead of the cd compilation release in october. twelve mabone conjures up images of dusty outdoor dancing, 100 s of pairs of feet kicking up the dusty red soil of africa in a manic outing of unbridled joy, check the rhythm and imagine a young malcolm mclaren hearing this type of music and the inspirations that it led to. the flip is a lowdown groove fuelled walk through the sleazy sound of funk. more quality sounds from the 70s and 80s south africa and re-released for todays audio pleasure

still no one knows who gerstaffelen is, but with this release the producer becomes a regular on the mos deep label and is now back with four more of the rawest cuts you could imagine.

ben long from uk techno mainstays, space djz, with a new solo ep entitled *toltec* featuring remixs from the detroit grand pubahs & darko esser (aka tripeo). *toltec* sees ben stepping away from the blistering techno of space djz, to a more minimal approach that is thoughtful and melodic, as it builds from its soaring intro into a raw and grinding groove.

onnsets first release by jamie curnock begins the project with an introduction into the tougher sounds from the label in the form of grown and transportation. truss manages to take this a step further with his punishing remix. as onnset isnt strictly defined by a heavier sound, there is always room for the more experimental, as shown in the opening track extract and the deeper final track scavenger

if the first black narcissus album did not knock you out, this second double lp could address the problem by being more precise where it hits.

a key member of the minus family for almost a decade, jon gaiser is to release his lead single krakdup preceding his full length release false light in november. since 2005, gaiser has been at the heart of the minimal techno movement. his hugely atmospheric eps and lps have always explored the darker, more stripped back and abstract edges of the dancefloor and have often done so in conjunction with immersive and complimentary live visuals

kann is most delighted to calmly present things from the basement vol.1 as their 20th release. this soundscaping and atmospheric collection of interluding house takes you to the most enjoyable basement you can imagine

when dfc team (persi, collino & gemolotto) started their atahualpa project techno music was far to be a cool trend in the venues. even more innovative was to mash up acoustic, electronic, traditional instruments as peruvian panflutes and synthesizers while evocative voices drive listeners to the world of last inca emperor. it was in 1990 when ultimo imperio by atahualpa topped in several countries around the world becoming a milestone in the dance music history. nearly twentyfive years later dfc label releases 4 amazing new remixes and the story goes on

vinyl only
lorentz back in action for little hill! with a long side (14.58) where there are two original tracks, madicosa and choose in it, lorentz show us his gentle sounds, with homesick tracks. if you flip records you can find two great works made by mattia trani, label-head of pushmaster discs, with his 909 remix and damien schneider, apologue recordings, with more effective techno remix.

portland producer strategy is back with two unique house cuts. his wide range unique music is released from 100% silk, kranky and endless flight. a side, >luna< is very unique sound which is difficult to categorise. but if we say, it is like detroit techno remix of synth pop ... b side, >the saga< is his trade mark dubby house sound but bit more gorgeous and uplifting.

the maghreban. i saw this name for the first time when ayman sent me afric, out on his own label zoot. i really got into this raw, percussion heavy stuff. asked him some new track for versatile and here is the result: smack, with his rave vs chicago vibe, and two deeper jams. more to come!

after their featuring on kyle halls boat party ep, the bologna based duo nas1 join the bosconi family with a lush six tracks vinyl strongly influenced by contemporary detroit house. a side starts with the chuggin and moody beat of -black coffee-, then continues with the stomping and sexy midtempo of -i don t mind- and ends with the more mysterious, electro boogie raw jam of -dallas vertical roll-. on the flip we find the slapped roadhouse blues of madturkey followed by the twisted gifted & blesseds re-interpretation of -i don t mind-. the ep ends with the melancholic and soulful textures of the shuffle groover -hoarse presence-. tasty!

hlanganani music is a new label with its roots in south africa and london, focused on bringing international attention to south african artists. hlanganani music, which translates from zulu as come/get together has its first release from zulu artist butiza. entitled baphuma ezulwini (they came from heaven) the track features vocals from butiza in the style of maskanda (or maskandi-a kind of zulu folk and scathamiya as well as remixes from european mainstays, xdb and christian prommer. the project itself best illuminated by hlanganani label heads and south african expats shy & linda aka sahin meyer with the label the goal is to really help all the artists involved and open new doors on both ends. support by: mr g, jimpster, mano le tough, steve o sullivan, dam swindle, auntie flo, ooft, severino, cottam, lo shea, a sagittariun, drums of death, trickski & more.

recondites atmospheric, driving, bleak tracks are techno to the core. but they are much more.

(hand-stamped 12inch) otb records aims to present a unique exploratory sound that will frequently push the boundaries of techno. early support by marcel dettmann, joris voorn, tom trago, james zabiela, slam, the advent, angel molina, john selway and more

mind bending pagan sounds from luke vibert on his new halloween (part one) 12 coming out on hypercolour.part 2 of halloween comes soon, with more new vibert tracks, and remixes from falty dl and tom demac.

• more superb live jams from the project of earwiggles sunil sharpe and defekt
• features unique hand embossed foil stickers
dublin based flanagan and sharpe s live jam project continues to dazzle with four more killer club tracks. as before, this release features a custom foil sticker. limited first run copies so please pre-order to ensure fill